Skip to main content

Aikido

Aikido (合気道 aikidō) is a Japanese martial art developed by Morihei Ueshiba as a synthesis of his martial studies, philosophy, and religious beliefs. Aikido is often translated as "the Way of unifying (with) life energy" or as "the Way of harmonious spirit."Ueshiba's goal was to create an art that practitioners could use to defend themselves while also protecting their attacker from injury.

Aikido techniques are normally performed by "blending" with the motion of the attacker, rather than directly opposing the attack. The aikidoka (aikido practitioner) redirects the attacker's momentum, using minimum effort, with various types of throws or joint locks. Aikido can be categorized under the general umbrella of grappling arts.

Aikido derives mainly from the martial art of Daitō-ryū Aiki-jūjutsu, but began to diverge from it in the late 1920s, partly due to Ueshiba's involvement with the Ōmoto-kyō religion. Ueshiba's early students' documents bear the term aiki-jūjutsu.Many of Ueshiba's senior students have different approaches to aikido, depending on when they studied with him. Today aikido is found all over the world in a number of styles, with broad ranges of interpretation and emphasis. However, they all share techniques learned from Ueshiba and most have concern for the well-being of the attacker.

The word "aikido" is formed of three kanji:

  • - ai - joining, harmonizing
  • - ki - spirit, life energy
  • - - way, path

The term connects the practice of aikido with the philosophical concept of Tao, which can be found in martial arts such as judo and kendo, and in more peaceful arts such as Japanese calligraphy (shodō) and flower arranging (kadō). The term aiki refers to the martial arts principle or tactic of blending with an attacker's movements for the purpose of controlling their actions with minimal effort. One applies aiki by understanding the rhythm and intent of the attacker to find the optimal position and timing to apply a counter-technique. Historically, aiki was mastered for the purpose of killing; however, in aikido, one seeks to neutralise an aggressor without causing harm. The founder of aikido declared, "To control aggression without inflicting injury is the Art of Peace." A number of aikido practitioners interpret aikido metaphorically, seeing parallels between aikido techniques and other methods for conflict resolution. These kanji are identical to the Korean versions of the characters that form the word hapkido, a Korean martial art. Although there are no known direct connections between the two arts, it is suspected that the founders of both arts trained in Daitō-ryū Aiki-jūjutsu.

Aikido was created by Morihei Ueshiba (植芝 盛平 Ueshiba Morihei, 14 December 188326 April 1969), referred to by some aikido practitioners as Ōsensei ("Great Teacher"). Ueshiba envisioned aikido not only as the synthesis of his martial training, but also an expression of his personal philosophy of universal peace and reconciliation. During Ueshiba's lifetime and continuing today, aikido has evolved from the koryū (old-style martial arts) that Ueshiba studied into a wide variety of expressions by martial artists throughout the world.

Initial development

Takeda Sokaku

Takeda Sokaku

Ueshiba developed aikido primarily during the late 1920s through the 1930s through the synthesis of the older martial arts that he had studied. The core martial art from which aikido derives is Daitō-ryū aiki-jūjutsu, which Ueshiba studied directly with Takeda Sokaku, the revivor of that art. Additionally, Ueshiba is known to have studied Tenjin Shin'yō-ryū with Tozawa Tokusaburō in Tokyo in 1901, Gotōha Yagyū Shingan-ryū under Nakai Masakatsu in Sakai from 1903 to 1908, and judo with Kiyoichi Takagi (高木 喜代子 Takagi Kiyoichi, 1894–1972) in Tanabe in 1911.

The art of Daitō-ryū is the primary technical influence on aikido. Along with empty-handed throwing and joint-locking techniques, Ueshiba incorporated training movements with weapons, such as those for the spear (yari), short staff (), and perhaps the bayonet (銃剣 jūken). However, aikido derives much of its technical structure from the art of swordsmanship (kenjutsu).

Ueshiba moved to Hokkaidō in 1912, and began studying under Takeda Sokaku in 1915. His official association with Daitō-ryū continued until 1937. However, during the latter part of that period, Ueshiba had already begun to distance himself from Takeda and the Daitō-ryū. At that time Ueshiba was referring to his martial art as "Aiki Budō". It is unclear exactly when Ueshiba began using the name "aikido", but it became the official name of the art in 1942 when the Greater Japan Martial Virtue Society (Dai Nippon Butoku Kai) was engaged in a government sponsored reorganization and centralization of Japanese martial arts.

Religious influences

Onisaburo Deguchi
Onisaburo Deguchi

After Ueshiba left Hokkaidō in 1919, he met and was profoundly influenced by Onisaburo Deguchi, the spiritual leader of the Ōmoto-kyō religion (a neo-Shinto movement) in Ayabe. One of the primary features of Ōmoto-kyō is its emphasis on the attainment of utopia during one's life. This was a great influence on Ueshiba's martial arts philosophy of extending love and compassion, especially to those who seek to harm others. Aikido demonstrates this philosophy in its emphasis on mastering martial arts so that one may receive an attack and harmlessly redirect it. In an ideal resolution, not only is the receiver unharmed, but so is the attacker.

In addition to the effect on his spiritual growth, the connection with Deguchi gave Ueshiba entry to elite political and military circles as a martial artist. As a result of this exposure, he was able to attract not only financial backing but also gifted students. Several of these students would found their own styles of aikido.

International dissemination

Aikido was first brought to the West in 1951 by Minoru Mochizuki with a visit to France where he introduced aikido techniques to judo students. He was followed by Tadashi Abe in 1952 who came as the official Aikikai Hombu representative, remaining in France for seven years. Kenji Tomiki toured with a delegation of various martial arts through fifteen continental states of the United States in 1953. Later in that year, Koichi Tohei was sent by Aikikai Hombu to Hawaii, for a full year, where he set up several dojo. This was followed up by several further visits and is considered the formal introduction of aikido to the United States. The United Kingdom followed in 1955; Italy in 1964; Germany and Australia in 1965. Designated "Official Delegate for Europe and Africa" by Morihei Ueshiba, Masamichi Noro arrived in France in September 1961. Today there are aikido dojo available to train throughout the world.

In aikido, as in virtually all Japanese martial arts, there are both physical and mental aspects of training. The physical training in aikido is diverse, covering both general physical fitness and conditioning, as well as specific techniques. Because a substantial portion of any aikido curriculum consists of throws, the first thing most students learn is how to safely fall or roll. The specific techniques for attack include both strikes and grabs; the techniques for defense consist of throws and pins. After basic techniques are learned, students study freestyle defense against multiple opponents, and in certain styles, techniques with weapons.

Comments

yuki said…
ohayougosaimasu! thx for the comment

Popular posts from this blog

Kappa

KAPPA 河童. One of the Suijin 水神 ( water kami, water deities) of Shinto mythology. Suijin are found in lakes, ponds, springs, wells, and irrigation waterways. They are often depicted as a snake, a dragon , an eel, a fish, a turtle , or a kappa. One of the most curious Suijin in Japan manifests itself as the water-cleansing bacteria in sewage water ( details here ). According to the Institute for Japanese Culture and Classics (Kokugakuin University), women have played an important role in the history of Suijin worship in Japan. With the introduction of Buddhism in the 6th century AD, however, Japan's many Shinto water kami begin to slowly absorb Buddhist attributes. Not surprisingly, this ongoing mixture of traditions makes it difficult to identify the origins of these "syncretic" deities. This difficulty is compounded by the lack of Shinto artwork or written records prior to the 8th century. For details on Japan's SUIJIN traditions, please see the Suijin Page (aka S

Indonesia Kendo Association

originated from: www.kendo.web.id Indonesia Kendo Association (IKA) is the official national organization for Kendo in Indonesia. Established in 2010, IKA aims to encourage and facilitate the development of Kendo in Indonesia, and to represent Indonesia in various Kendo events on the international level. Currently, IKA’s membership covers the following organizations: Jakarta Kendo Association Bandung Kendo Association Persada Medan Kendo Club Yogyakarta Kendo Association Suroboyo Kenyukai Malang Kendo Asociation IKA’s annual events are : Indonesia National Kendo Tournament Jakarta Matsuri Kendo Tournament National grading examination With the development of Kendo in Indonesia, IKA is aiming to include as many local/regional events as possible into the national program/callendar. IKA also routinely represent Indonesia in participating in international tournaments, such as : ASEAN Kendo Tournament Hong Kong Asian Open Kendo Tournament Foreign Kendo Leader Sem

Jujutsu

Jujutsu ( 柔術 , jūjutsu ? ) , literally meaning the " art of softness ", or "way of yielding" is a collective name for Japanese martial art styles consisting of grappling and striking techniques. Jujutsu evolved among the samurai of feudal Japan as a method for dispatching an armed and armored opponent in situations where the use of weapons was impractical or forbidden. Due to the difficulty of dispatching an armored opponent with striking techniques, the most efficient methods for neutralizing an enemy took the form of pins, joint locks, and throws. These techniques were developed around the principle of using an attacker's energy against him, rather than directly opposing it, and came to be known as jujutsu. There are many variations of the art, which leads to a diversity of approaches. Jujutsu schools ( ryū ) may utilize all forms of grappling techniques to some degree (i.e. throwing , trapping, joint locking , holds , gouging, biting, disengagements, st